1
mirror of https://github.com/mpv-player/mpv synced 2024-11-03 03:19:24 +01:00
mpv/audio/decode/ad_spdif.c

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/*
core: redo how codecs are mapped, remove codecs.conf Use codec names instead of FourCCs to identify codecs. Rewrite how codecs are selected and initialized. Now each decoder exports a list of decoders (and the codec it supports) via add_decoders(). The order matters, and the first decoder for a given decoder is preferred over the other decoders. E.g. all ad_mpg123 decoders are preferred over ad_lavc, because it comes first in the mpcodecs_ad_drivers array. Likewise, decoders within ad_lavc that are enumerated first by libavcodec (using av_codec_next()) are preferred. (This is actually critical to select h264 software decoding by default instead of vdpau. libavcodec and ffmpeg/avconv use the same method to select decoders by default, so we hope this is sane.) The codec names follow libavcodec's codec names as defined by AVCodecDescriptor.name (see libavcodec/codec_desc.c). Some decoders have names different from the canonical codec name. The AVCodecDescriptor API is relatively new, so we need a compatibility layer for older libavcodec versions for codec names that are referenced internally, and which are different from the decoder name. (Add a configure check for that, because checking versions is getting way too messy.) demux/codec_tags.c is generated from the former codecs.conf (minus "special" decoders like vdpau, and excluding the mappings that are the same as the mappings libavformat's exported RIFF tables). It contains all the mappings from FourCCs to codec name. This is needed for demux_mkv, demux_mpg, demux_avi and demux_asf. demux_lavf will set the codec as determined by libavformat, while the other demuxers have to do this on their own, using the mp_set_audio/video_codec_from_tag() functions. Note that the sh_audio/video->format members don't uniquely identify the codec anymore, and sh->codec takes over this role. Replace the --ac/--vc/--afm/--vfm with new --vd/--ad options, which provide cover the functionality of the removed switched. Note: there's no CODECS_FLAG_FLIP flag anymore. This means some obscure container/video combinations (e.g. the sample Film_200_zygo_pro.mov) are played flipped. ffplay/avplay doesn't handle this properly either, so we don't care and blame ffmeg/libav instead.
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* Copyright (C) 2012 Naoya OYAMA
*
* This file is part of mpv.
*
* mpv is free software; you can redistribute it and/or
* modify it under the terms of the GNU Lesser General Public
* License as published by the Free Software Foundation; either
* version 2.1 of the License, or (at your option) any later version.
*
* mpv is distributed in the hope that it will be useful,
* but WITHOUT ANY WARRANTY; without even the implied warranty of
* MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
* GNU Lesser General Public License for more details.
*
* You should have received a copy of the GNU Lesser General Public
* License along with mpv. If not, see <http://www.gnu.org/licenses/>.
*/
#include <string.h>
#include <assert.h>
#include <libavformat/avformat.h>
#include <libavcodec/avcodec.h>
#include <libavutil/opt.h>
#include "audio/aframe.h"
#include "audio/format.h"
#include "common/av_common.h"
#include "common/codecs.h"
#include "common/msg.h"
#include "demux/packet.h"
#include "demux/stheader.h"
#include "filters/f_decoder_wrapper.h"
#include "filters/filter_internal.h"
#include "options/options.h"
#define OUTBUF_SIZE 65536
struct spdifContext {
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struct mp_log *log;
enum AVCodecID codec_id;
AVFormatContext *lavf_ctx;
int out_buffer_len;
uint8_t out_buffer[OUTBUF_SIZE];
bool need_close;
bool use_dts_hd;
audio: introduce a new type to hold audio frames This is pretty pointless, but I believe it allows us to claim that the new code is not affected by the copyright of the old code. This is needed, because the original mp_audio struct was written by someone who has disagreed with LGPL relicensing (it was called af_data at the time, and was defined in af.h). The "GPL'ed" struct contents that surive are pretty trivial: just the data pointer, and some metadata like the format, samplerate, etc. - but at least in this case, any new code would be extremely similar anyway, and I'm not really sure whether it's OK to claim different copyright. So what we do is we just use AVFrame (which of course is LGPL with 100% certainty), and add some accessors around it to adapt it to mpv conventions. Also, this gets rid of some annoying conventions of mp_audio, like the struct fields that require using an accessor to write to them anyway. For the most part, this change is only dumb replacements of mp_audio related functions and fields. One minor actual change is that you can't allocate the new type on the stack anymore. Some code still uses mp_audio. All audio filter code will be deleted, so it makes no sense to convert this code. (Audio filters which are LGPL and which we keep will have to be ported to a new filter infrastructure anyway.) player/audio.c uses it because it interacts with the old filter code. push.c has some complex use of mp_audio and mp_audio_buffer, but this and pull.c will most likely be rewritten to do something else.
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struct mp_aframe *fmt;
int sstride;
struct mp_aframe_pool *pool;
struct mp_decoder public;
};
static int write_packet(void *p, uint8_t *buf, int buf_size)
{
struct spdifContext *ctx = p;
int buffer_left = OUTBUF_SIZE - ctx->out_buffer_len;
if (buf_size > buffer_left) {
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MP_ERR(ctx, "spdif packet too large.\n");
buf_size = buffer_left;
}
memcpy(&ctx->out_buffer[ctx->out_buffer_len], buf, buf_size);
ctx->out_buffer_len += buf_size;
return buf_size;
}
// (called on both filter destruction _and_ if lavf fails to init)
static void destroy(struct mp_filter *da)
{
struct spdifContext *spdif_ctx = da->priv;
AVFormatContext *lavf_ctx = spdif_ctx->lavf_ctx;
if (lavf_ctx) {
if (spdif_ctx->need_close)
av_write_trailer(lavf_ctx);
if (lavf_ctx->pb)
av_freep(&lavf_ctx->pb->buffer);
av_freep(&lavf_ctx->pb);
avformat_free_context(lavf_ctx);
spdif_ctx->lavf_ctx = NULL;
}
}
static void determine_codec_params(struct mp_filter *da, AVPacket *pkt,
int *out_profile, int *out_rate)
{
struct spdifContext *spdif_ctx = da->priv;
int profile = FF_PROFILE_UNKNOWN;
AVCodecContext *ctx = NULL;
AVFrame *frame = NULL;
AVCodecParserContext *parser = av_parser_init(spdif_ctx->codec_id);
if (parser) {
// Don't make it wait for the next frame.
parser->flags |= PARSER_FLAG_COMPLETE_FRAMES;
ctx = avcodec_alloc_context3(NULL);
if (!ctx) {
av_parser_close(parser);
goto done;
}
uint8_t *d = NULL;
int s = 0;
av_parser_parse2(parser, ctx, &d, &s, pkt->data, pkt->size, 0, 0, 0);
*out_profile = profile = ctx->profile;
*out_rate = ctx->sample_rate;
avcodec_free_context(&ctx);
av_parser_close(parser);
}
if (profile != FF_PROFILE_UNKNOWN || spdif_ctx->codec_id != AV_CODEC_ID_DTS)
return;
AVCodec *codec = avcodec_find_decoder(spdif_ctx->codec_id);
if (!codec)
goto done;
frame = av_frame_alloc();
if (!frame)
goto done;
ctx = avcodec_alloc_context3(codec);
if (!ctx)
goto done;
if (avcodec_open2(ctx, codec, NULL) < 0)
goto done;
if (avcodec_send_packet(ctx, pkt) < 0)
goto done;
if (avcodec_receive_frame(ctx, frame) < 0)
goto done;
*out_profile = profile = ctx->profile;
*out_rate = ctx->sample_rate;
done:
av_frame_free(&frame);
avcodec_free_context(&ctx);
if (profile == FF_PROFILE_UNKNOWN)
MP_WARN(da, "Failed to parse codec profile.\n");
}
static int init_filter(struct mp_filter *da, AVPacket *pkt)
{
struct spdifContext *spdif_ctx = da->priv;
int profile = FF_PROFILE_UNKNOWN;
int c_rate = 0;
determine_codec_params(da, pkt, &profile, &c_rate);
MP_VERBOSE(da, "In: profile=%d samplerate=%d\n", profile, c_rate);
AVFormatContext *lavf_ctx = avformat_alloc_context();
if (!lavf_ctx)
goto fail;
spdif_ctx->lavf_ctx = lavf_ctx;
lavf_ctx->oformat = av_guess_format("spdif", NULL, NULL);
if (!lavf_ctx->oformat)
goto fail;
void *buffer = av_mallocz(OUTBUF_SIZE);
if (!buffer)
abort();
lavf_ctx->pb = avio_alloc_context(buffer, OUTBUF_SIZE, 1, spdif_ctx, NULL,
write_packet, NULL);
if (!lavf_ctx->pb) {
av_free(buffer);
goto fail;
}
// Request minimal buffering (not available on Libav)
#if LIBAVFORMAT_VERSION_MICRO >= 100
lavf_ctx->pb->direct = 1;
#endif
AVStream *stream = avformat_new_stream(lavf_ctx, 0);
if (!stream)
goto fail;
stream->codecpar->codec_id = spdif_ctx->codec_id;
AVDictionary *format_opts = NULL;
audio: introduce a new type to hold audio frames This is pretty pointless, but I believe it allows us to claim that the new code is not affected by the copyright of the old code. This is needed, because the original mp_audio struct was written by someone who has disagreed with LGPL relicensing (it was called af_data at the time, and was defined in af.h). The "GPL'ed" struct contents that surive are pretty trivial: just the data pointer, and some metadata like the format, samplerate, etc. - but at least in this case, any new code would be extremely similar anyway, and I'm not really sure whether it's OK to claim different copyright. So what we do is we just use AVFrame (which of course is LGPL with 100% certainty), and add some accessors around it to adapt it to mpv conventions. Also, this gets rid of some annoying conventions of mp_audio, like the struct fields that require using an accessor to write to them anyway. For the most part, this change is only dumb replacements of mp_audio related functions and fields. One minor actual change is that you can't allocate the new type on the stack anymore. Some code still uses mp_audio. All audio filter code will be deleted, so it makes no sense to convert this code. (Audio filters which are LGPL and which we keep will have to be ported to a new filter infrastructure anyway.) player/audio.c uses it because it interacts with the old filter code. push.c has some complex use of mp_audio and mp_audio_buffer, but this and pull.c will most likely be rewritten to do something else.
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spdif_ctx->fmt = mp_aframe_create();
talloc_steal(spdif_ctx, spdif_ctx->fmt);
int num_channels = 0;
int sample_format = 0;
int samplerate = 0;
switch (spdif_ctx->codec_id) {
case AV_CODEC_ID_AAC:
audio: cleanup spdif format definitions Before this commit, there was AF_FORMAT_AC3 (the original spdif format, used for AC3 and DTS core), and AF_FORMAT_IEC61937 (used for AC3, DTS and DTS-HD), which was handled as some sort of superset for AF_FORMAT_AC3. There also was AF_FORMAT_MPEG2, which used IEC61937-framing, but still was handled as something "separate". Technically, all of them are pretty similar, but may use different bitrates. Since digital passthrough pretends to be PCM (just with special headers that wrap digital packets), this is easily detectable by the higher samplerate or higher number of channels, so I don't know why you'd need a separate "class" of sample formats (AF_FORMAT_AC3 vs. AF_FORMAT_IEC61937) to distinguish them. Actually, this whole thing is just a mess. Simplify this by handling all these formats the same way. AF_FORMAT_IS_IEC61937() now returns 1 for all spdif formats (even MP3). All AOs just accept all spdif formats now - whether that works or not is not really clear (seems inconsistent due to earlier attempts to make DTS-HD work). But on the other hand, enabling spdif requires manual user interaction, so it doesn't matter much if initialization fails in slightly less graceful ways if it can't work at all. At a later point, we will support passthrough with ao_pulse. It seems the PulseAudio API wants to know the codec type (or maybe not - feeding it DTS while telling it it's AC3 works), add separate formats for each codecs. While this reminds of the earlier chaos, it's stricter, and most code just uses AF_FORMAT_IS_IEC61937(). Also, modify AF_FORMAT_TYPE_MASK (renamed from AF_FORMAT_POINT_MASK) to include special formats, so that it always describes the fundamental sample format type. This also ensures valid AF formats are never 0 (this was probably broken in one of the earlier commits from today).
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sample_format = AF_FORMAT_S_AAC;
samplerate = 48000;
num_channels = 2;
break;
case AV_CODEC_ID_AC3:
audio: cleanup spdif format definitions Before this commit, there was AF_FORMAT_AC3 (the original spdif format, used for AC3 and DTS core), and AF_FORMAT_IEC61937 (used for AC3, DTS and DTS-HD), which was handled as some sort of superset for AF_FORMAT_AC3. There also was AF_FORMAT_MPEG2, which used IEC61937-framing, but still was handled as something "separate". Technically, all of them are pretty similar, but may use different bitrates. Since digital passthrough pretends to be PCM (just with special headers that wrap digital packets), this is easily detectable by the higher samplerate or higher number of channels, so I don't know why you'd need a separate "class" of sample formats (AF_FORMAT_AC3 vs. AF_FORMAT_IEC61937) to distinguish them. Actually, this whole thing is just a mess. Simplify this by handling all these formats the same way. AF_FORMAT_IS_IEC61937() now returns 1 for all spdif formats (even MP3). All AOs just accept all spdif formats now - whether that works or not is not really clear (seems inconsistent due to earlier attempts to make DTS-HD work). But on the other hand, enabling spdif requires manual user interaction, so it doesn't matter much if initialization fails in slightly less graceful ways if it can't work at all. At a later point, we will support passthrough with ao_pulse. It seems the PulseAudio API wants to know the codec type (or maybe not - feeding it DTS while telling it it's AC3 works), add separate formats for each codecs. While this reminds of the earlier chaos, it's stricter, and most code just uses AF_FORMAT_IS_IEC61937(). Also, modify AF_FORMAT_TYPE_MASK (renamed from AF_FORMAT_POINT_MASK) to include special formats, so that it always describes the fundamental sample format type. This also ensures valid AF formats are never 0 (this was probably broken in one of the earlier commits from today).
2014-09-23 22:44:54 +02:00
sample_format = AF_FORMAT_S_AC3;
samplerate = c_rate > 0 ? c_rate : 48000;
num_channels = 2;
break;
case AV_CODEC_ID_DTS: {
bool is_hd = profile == FF_PROFILE_DTS_HD_HRA ||
profile == FF_PROFILE_DTS_HD_MA ||
profile == FF_PROFILE_UNKNOWN;
if (spdif_ctx->use_dts_hd && is_hd) {
av_dict_set(&format_opts, "dtshd_rate", "768000", 0); // 4*192000
sample_format = AF_FORMAT_S_DTSHD;
samplerate = 192000;
num_channels = 2*4;
} else {
sample_format = AF_FORMAT_S_DTS;
samplerate = 48000;
num_channels = 2;
}
break;
}
case AV_CODEC_ID_EAC3:
audio: cleanup spdif format definitions Before this commit, there was AF_FORMAT_AC3 (the original spdif format, used for AC3 and DTS core), and AF_FORMAT_IEC61937 (used for AC3, DTS and DTS-HD), which was handled as some sort of superset for AF_FORMAT_AC3. There also was AF_FORMAT_MPEG2, which used IEC61937-framing, but still was handled as something "separate". Technically, all of them are pretty similar, but may use different bitrates. Since digital passthrough pretends to be PCM (just with special headers that wrap digital packets), this is easily detectable by the higher samplerate or higher number of channels, so I don't know why you'd need a separate "class" of sample formats (AF_FORMAT_AC3 vs. AF_FORMAT_IEC61937) to distinguish them. Actually, this whole thing is just a mess. Simplify this by handling all these formats the same way. AF_FORMAT_IS_IEC61937() now returns 1 for all spdif formats (even MP3). All AOs just accept all spdif formats now - whether that works or not is not really clear (seems inconsistent due to earlier attempts to make DTS-HD work). But on the other hand, enabling spdif requires manual user interaction, so it doesn't matter much if initialization fails in slightly less graceful ways if it can't work at all. At a later point, we will support passthrough with ao_pulse. It seems the PulseAudio API wants to know the codec type (or maybe not - feeding it DTS while telling it it's AC3 works), add separate formats for each codecs. While this reminds of the earlier chaos, it's stricter, and most code just uses AF_FORMAT_IS_IEC61937(). Also, modify AF_FORMAT_TYPE_MASK (renamed from AF_FORMAT_POINT_MASK) to include special formats, so that it always describes the fundamental sample format type. This also ensures valid AF formats are never 0 (this was probably broken in one of the earlier commits from today).
2014-09-23 22:44:54 +02:00
sample_format = AF_FORMAT_S_EAC3;
samplerate = 192000;
num_channels = 2;
break;
case AV_CODEC_ID_MP3:
audio: cleanup spdif format definitions Before this commit, there was AF_FORMAT_AC3 (the original spdif format, used for AC3 and DTS core), and AF_FORMAT_IEC61937 (used for AC3, DTS and DTS-HD), which was handled as some sort of superset for AF_FORMAT_AC3. There also was AF_FORMAT_MPEG2, which used IEC61937-framing, but still was handled as something "separate". Technically, all of them are pretty similar, but may use different bitrates. Since digital passthrough pretends to be PCM (just with special headers that wrap digital packets), this is easily detectable by the higher samplerate or higher number of channels, so I don't know why you'd need a separate "class" of sample formats (AF_FORMAT_AC3 vs. AF_FORMAT_IEC61937) to distinguish them. Actually, this whole thing is just a mess. Simplify this by handling all these formats the same way. AF_FORMAT_IS_IEC61937() now returns 1 for all spdif formats (even MP3). All AOs just accept all spdif formats now - whether that works or not is not really clear (seems inconsistent due to earlier attempts to make DTS-HD work). But on the other hand, enabling spdif requires manual user interaction, so it doesn't matter much if initialization fails in slightly less graceful ways if it can't work at all. At a later point, we will support passthrough with ao_pulse. It seems the PulseAudio API wants to know the codec type (or maybe not - feeding it DTS while telling it it's AC3 works), add separate formats for each codecs. While this reminds of the earlier chaos, it's stricter, and most code just uses AF_FORMAT_IS_IEC61937(). Also, modify AF_FORMAT_TYPE_MASK (renamed from AF_FORMAT_POINT_MASK) to include special formats, so that it always describes the fundamental sample format type. This also ensures valid AF formats are never 0 (this was probably broken in one of the earlier commits from today).
2014-09-23 22:44:54 +02:00
sample_format = AF_FORMAT_S_MP3;
samplerate = 48000;
num_channels = 2;
break;
case AV_CODEC_ID_TRUEHD:
audio: cleanup spdif format definitions Before this commit, there was AF_FORMAT_AC3 (the original spdif format, used for AC3 and DTS core), and AF_FORMAT_IEC61937 (used for AC3, DTS and DTS-HD), which was handled as some sort of superset for AF_FORMAT_AC3. There also was AF_FORMAT_MPEG2, which used IEC61937-framing, but still was handled as something "separate". Technically, all of them are pretty similar, but may use different bitrates. Since digital passthrough pretends to be PCM (just with special headers that wrap digital packets), this is easily detectable by the higher samplerate or higher number of channels, so I don't know why you'd need a separate "class" of sample formats (AF_FORMAT_AC3 vs. AF_FORMAT_IEC61937) to distinguish them. Actually, this whole thing is just a mess. Simplify this by handling all these formats the same way. AF_FORMAT_IS_IEC61937() now returns 1 for all spdif formats (even MP3). All AOs just accept all spdif formats now - whether that works or not is not really clear (seems inconsistent due to earlier attempts to make DTS-HD work). But on the other hand, enabling spdif requires manual user interaction, so it doesn't matter much if initialization fails in slightly less graceful ways if it can't work at all. At a later point, we will support passthrough with ao_pulse. It seems the PulseAudio API wants to know the codec type (or maybe not - feeding it DTS while telling it it's AC3 works), add separate formats for each codecs. While this reminds of the earlier chaos, it's stricter, and most code just uses AF_FORMAT_IS_IEC61937(). Also, modify AF_FORMAT_TYPE_MASK (renamed from AF_FORMAT_POINT_MASK) to include special formats, so that it always describes the fundamental sample format type. This also ensures valid AF formats are never 0 (this was probably broken in one of the earlier commits from today).
2014-09-23 22:44:54 +02:00
sample_format = AF_FORMAT_S_TRUEHD;
samplerate = 192000;
num_channels = 8;
break;
default:
abort();
}
audio: introduce a new type to hold audio frames This is pretty pointless, but I believe it allows us to claim that the new code is not affected by the copyright of the old code. This is needed, because the original mp_audio struct was written by someone who has disagreed with LGPL relicensing (it was called af_data at the time, and was defined in af.h). The "GPL'ed" struct contents that surive are pretty trivial: just the data pointer, and some metadata like the format, samplerate, etc. - but at least in this case, any new code would be extremely similar anyway, and I'm not really sure whether it's OK to claim different copyright. So what we do is we just use AVFrame (which of course is LGPL with 100% certainty), and add some accessors around it to adapt it to mpv conventions. Also, this gets rid of some annoying conventions of mp_audio, like the struct fields that require using an accessor to write to them anyway. For the most part, this change is only dumb replacements of mp_audio related functions and fields. One minor actual change is that you can't allocate the new type on the stack anymore. Some code still uses mp_audio. All audio filter code will be deleted, so it makes no sense to convert this code. (Audio filters which are LGPL and which we keep will have to be ported to a new filter infrastructure anyway.) player/audio.c uses it because it interacts with the old filter code. push.c has some complex use of mp_audio and mp_audio_buffer, but this and pull.c will most likely be rewritten to do something else.
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struct mp_chmap chmap;
mp_chmap_from_channels(&chmap, num_channels);
mp_aframe_set_chmap(spdif_ctx->fmt, &chmap);
mp_aframe_set_format(spdif_ctx->fmt, sample_format);
mp_aframe_set_rate(spdif_ctx->fmt, samplerate);
spdif_ctx->sstride = mp_aframe_get_sstride(spdif_ctx->fmt);
if (avformat_write_header(lavf_ctx, &format_opts) < 0) {
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MP_FATAL(da, "libavformat spdif initialization failed.\n");
av_dict_free(&format_opts);
goto fail;
}
av_dict_free(&format_opts);
spdif_ctx->need_close = true;
return 0;
fail:
destroy(da);
mp_filter_internal_mark_failed(da);
return -1;
}
static void process(struct mp_filter *da)
{
struct spdifContext *spdif_ctx = da->priv;
if (!mp_pin_can_transfer_data(da->ppins[1], da->ppins[0]))
return;
struct mp_frame inframe = mp_pin_out_read(da->ppins[0]);
if (inframe.type == MP_FRAME_EOF) {
mp_pin_in_write(da->ppins[1], inframe);
return;
} else if (inframe.type != MP_FRAME_PACKET) {
if (inframe.type) {
MP_ERR(da, "unknown frame type\n");
mp_filter_internal_mark_failed(da);
}
return;
}
struct demux_packet *mpkt = inframe.data;
struct mp_aframe *out = NULL;
double pts = mpkt->pts;
AVPacket pkt;
mp_set_av_packet(&pkt, mpkt, NULL);
pkt.pts = pkt.dts = 0;
if (!spdif_ctx->lavf_ctx) {
if (init_filter(da, &pkt) < 0)
goto done;
}
spdif_ctx->out_buffer_len = 0;
int ret = av_write_frame(spdif_ctx->lavf_ctx, &pkt);
avio_flush(spdif_ctx->lavf_ctx->pb);
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if (ret < 0) {
MP_ERR(da, "spdif mux error: '%s'\n", mp_strerror(AVUNERROR(ret)));
goto done;
2017-01-19 12:44:28 +01:00
}
out = mp_aframe_new_ref(spdif_ctx->fmt);
audio: introduce a new type to hold audio frames This is pretty pointless, but I believe it allows us to claim that the new code is not affected by the copyright of the old code. This is needed, because the original mp_audio struct was written by someone who has disagreed with LGPL relicensing (it was called af_data at the time, and was defined in af.h). The "GPL'ed" struct contents that surive are pretty trivial: just the data pointer, and some metadata like the format, samplerate, etc. - but at least in this case, any new code would be extremely similar anyway, and I'm not really sure whether it's OK to claim different copyright. So what we do is we just use AVFrame (which of course is LGPL with 100% certainty), and add some accessors around it to adapt it to mpv conventions. Also, this gets rid of some annoying conventions of mp_audio, like the struct fields that require using an accessor to write to them anyway. For the most part, this change is only dumb replacements of mp_audio related functions and fields. One minor actual change is that you can't allocate the new type on the stack anymore. Some code still uses mp_audio. All audio filter code will be deleted, so it makes no sense to convert this code. (Audio filters which are LGPL and which we keep will have to be ported to a new filter infrastructure anyway.) player/audio.c uses it because it interacts with the old filter code. push.c has some complex use of mp_audio and mp_audio_buffer, but this and pull.c will most likely be rewritten to do something else.
2017-08-16 21:00:20 +02:00
int samples = spdif_ctx->out_buffer_len / spdif_ctx->sstride;
if (mp_aframe_pool_allocate(spdif_ctx->pool, out, samples) < 0) {
TA_FREEP(&out);
goto done;
audio: introduce a new type to hold audio frames This is pretty pointless, but I believe it allows us to claim that the new code is not affected by the copyright of the old code. This is needed, because the original mp_audio struct was written by someone who has disagreed with LGPL relicensing (it was called af_data at the time, and was defined in af.h). The "GPL'ed" struct contents that surive are pretty trivial: just the data pointer, and some metadata like the format, samplerate, etc. - but at least in this case, any new code would be extremely similar anyway, and I'm not really sure whether it's OK to claim different copyright. So what we do is we just use AVFrame (which of course is LGPL with 100% certainty), and add some accessors around it to adapt it to mpv conventions. Also, this gets rid of some annoying conventions of mp_audio, like the struct fields that require using an accessor to write to them anyway. For the most part, this change is only dumb replacements of mp_audio related functions and fields. One minor actual change is that you can't allocate the new type on the stack anymore. Some code still uses mp_audio. All audio filter code will be deleted, so it makes no sense to convert this code. (Audio filters which are LGPL and which we keep will have to be ported to a new filter infrastructure anyway.) player/audio.c uses it because it interacts with the old filter code. push.c has some complex use of mp_audio and mp_audio_buffer, but this and pull.c will most likely be rewritten to do something else.
2017-08-16 21:00:20 +02:00
}
uint8_t **data = mp_aframe_get_data_rw(out);
audio: introduce a new type to hold audio frames This is pretty pointless, but I believe it allows us to claim that the new code is not affected by the copyright of the old code. This is needed, because the original mp_audio struct was written by someone who has disagreed with LGPL relicensing (it was called af_data at the time, and was defined in af.h). The "GPL'ed" struct contents that surive are pretty trivial: just the data pointer, and some metadata like the format, samplerate, etc. - but at least in this case, any new code would be extremely similar anyway, and I'm not really sure whether it's OK to claim different copyright. So what we do is we just use AVFrame (which of course is LGPL with 100% certainty), and add some accessors around it to adapt it to mpv conventions. Also, this gets rid of some annoying conventions of mp_audio, like the struct fields that require using an accessor to write to them anyway. For the most part, this change is only dumb replacements of mp_audio related functions and fields. One minor actual change is that you can't allocate the new type on the stack anymore. Some code still uses mp_audio. All audio filter code will be deleted, so it makes no sense to convert this code. (Audio filters which are LGPL and which we keep will have to be ported to a new filter infrastructure anyway.) player/audio.c uses it because it interacts with the old filter code. push.c has some complex use of mp_audio and mp_audio_buffer, but this and pull.c will most likely be rewritten to do something else.
2017-08-16 21:00:20 +02:00
if (!data) {
TA_FREEP(&out);
audio: introduce a new type to hold audio frames This is pretty pointless, but I believe it allows us to claim that the new code is not affected by the copyright of the old code. This is needed, because the original mp_audio struct was written by someone who has disagreed with LGPL relicensing (it was called af_data at the time, and was defined in af.h). The "GPL'ed" struct contents that surive are pretty trivial: just the data pointer, and some metadata like the format, samplerate, etc. - but at least in this case, any new code would be extremely similar anyway, and I'm not really sure whether it's OK to claim different copyright. So what we do is we just use AVFrame (which of course is LGPL with 100% certainty), and add some accessors around it to adapt it to mpv conventions. Also, this gets rid of some annoying conventions of mp_audio, like the struct fields that require using an accessor to write to them anyway. For the most part, this change is only dumb replacements of mp_audio related functions and fields. One minor actual change is that you can't allocate the new type on the stack anymore. Some code still uses mp_audio. All audio filter code will be deleted, so it makes no sense to convert this code. (Audio filters which are LGPL and which we keep will have to be ported to a new filter infrastructure anyway.) player/audio.c uses it because it interacts with the old filter code. push.c has some complex use of mp_audio and mp_audio_buffer, but this and pull.c will most likely be rewritten to do something else.
2017-08-16 21:00:20 +02:00
goto done;
}
audio: introduce a new type to hold audio frames This is pretty pointless, but I believe it allows us to claim that the new code is not affected by the copyright of the old code. This is needed, because the original mp_audio struct was written by someone who has disagreed with LGPL relicensing (it was called af_data at the time, and was defined in af.h). The "GPL'ed" struct contents that surive are pretty trivial: just the data pointer, and some metadata like the format, samplerate, etc. - but at least in this case, any new code would be extremely similar anyway, and I'm not really sure whether it's OK to claim different copyright. So what we do is we just use AVFrame (which of course is LGPL with 100% certainty), and add some accessors around it to adapt it to mpv conventions. Also, this gets rid of some annoying conventions of mp_audio, like the struct fields that require using an accessor to write to them anyway. For the most part, this change is only dumb replacements of mp_audio related functions and fields. One minor actual change is that you can't allocate the new type on the stack anymore. Some code still uses mp_audio. All audio filter code will be deleted, so it makes no sense to convert this code. (Audio filters which are LGPL and which we keep will have to be ported to a new filter infrastructure anyway.) player/audio.c uses it because it interacts with the old filter code. push.c has some complex use of mp_audio and mp_audio_buffer, but this and pull.c will most likely be rewritten to do something else.
2017-08-16 21:00:20 +02:00
memcpy(data[0], spdif_ctx->out_buffer, spdif_ctx->out_buffer_len);
mp_aframe_set_pts(out, pts);
done:
talloc_free(mpkt);
if (out) {
mp_pin_in_write(da->ppins[1], MAKE_FRAME(MP_FRAME_AUDIO, out));
} else {
mp_filter_internal_mark_failed(da);
}
}
static const int codecs[] = {
AV_CODEC_ID_AAC,
AV_CODEC_ID_AC3,
AV_CODEC_ID_DTS,
AV_CODEC_ID_EAC3,
AV_CODEC_ID_MP3,
AV_CODEC_ID_TRUEHD,
AV_CODEC_ID_NONE
};
core: redo how codecs are mapped, remove codecs.conf Use codec names instead of FourCCs to identify codecs. Rewrite how codecs are selected and initialized. Now each decoder exports a list of decoders (and the codec it supports) via add_decoders(). The order matters, and the first decoder for a given decoder is preferred over the other decoders. E.g. all ad_mpg123 decoders are preferred over ad_lavc, because it comes first in the mpcodecs_ad_drivers array. Likewise, decoders within ad_lavc that are enumerated first by libavcodec (using av_codec_next()) are preferred. (This is actually critical to select h264 software decoding by default instead of vdpau. libavcodec and ffmpeg/avconv use the same method to select decoders by default, so we hope this is sane.) The codec names follow libavcodec's codec names as defined by AVCodecDescriptor.name (see libavcodec/codec_desc.c). Some decoders have names different from the canonical codec name. The AVCodecDescriptor API is relatively new, so we need a compatibility layer for older libavcodec versions for codec names that are referenced internally, and which are different from the decoder name. (Add a configure check for that, because checking versions is getting way too messy.) demux/codec_tags.c is generated from the former codecs.conf (minus "special" decoders like vdpau, and excluding the mappings that are the same as the mappings libavformat's exported RIFF tables). It contains all the mappings from FourCCs to codec name. This is needed for demux_mkv, demux_mpg, demux_avi and demux_asf. demux_lavf will set the codec as determined by libavformat, while the other demuxers have to do this on their own, using the mp_set_audio/video_codec_from_tag() functions. Note that the sh_audio/video->format members don't uniquely identify the codec anymore, and sh->codec takes over this role. Replace the --ac/--vc/--afm/--vfm with new --vd/--ad options, which provide cover the functionality of the removed switched. Note: there's no CODECS_FLAG_FLIP flag anymore. This means some obscure container/video combinations (e.g. the sample Film_200_zygo_pro.mov) are played flipped. ffplay/avplay doesn't handle this properly either, so we don't care and blame ffmeg/libav instead.
2013-02-09 15:15:19 +01:00
static bool find_codec(const char *name)
core: redo how codecs are mapped, remove codecs.conf Use codec names instead of FourCCs to identify codecs. Rewrite how codecs are selected and initialized. Now each decoder exports a list of decoders (and the codec it supports) via add_decoders(). The order matters, and the first decoder for a given decoder is preferred over the other decoders. E.g. all ad_mpg123 decoders are preferred over ad_lavc, because it comes first in the mpcodecs_ad_drivers array. Likewise, decoders within ad_lavc that are enumerated first by libavcodec (using av_codec_next()) are preferred. (This is actually critical to select h264 software decoding by default instead of vdpau. libavcodec and ffmpeg/avconv use the same method to select decoders by default, so we hope this is sane.) The codec names follow libavcodec's codec names as defined by AVCodecDescriptor.name (see libavcodec/codec_desc.c). Some decoders have names different from the canonical codec name. The AVCodecDescriptor API is relatively new, so we need a compatibility layer for older libavcodec versions for codec names that are referenced internally, and which are different from the decoder name. (Add a configure check for that, because checking versions is getting way too messy.) demux/codec_tags.c is generated from the former codecs.conf (minus "special" decoders like vdpau, and excluding the mappings that are the same as the mappings libavformat's exported RIFF tables). It contains all the mappings from FourCCs to codec name. This is needed for demux_mkv, demux_mpg, demux_avi and demux_asf. demux_lavf will set the codec as determined by libavformat, while the other demuxers have to do this on their own, using the mp_set_audio/video_codec_from_tag() functions. Note that the sh_audio/video->format members don't uniquely identify the codec anymore, and sh->codec takes over this role. Replace the --ac/--vc/--afm/--vfm with new --vd/--ad options, which provide cover the functionality of the removed switched. Note: there's no CODECS_FLAG_FLIP flag anymore. This means some obscure container/video combinations (e.g. the sample Film_200_zygo_pro.mov) are played flipped. ffplay/avplay doesn't handle this properly either, so we don't care and blame ffmeg/libav instead.
2013-02-09 15:15:19 +01:00
{
for (int n = 0; codecs[n] != AV_CODEC_ID_NONE; n++) {
core: redo how codecs are mapped, remove codecs.conf Use codec names instead of FourCCs to identify codecs. Rewrite how codecs are selected and initialized. Now each decoder exports a list of decoders (and the codec it supports) via add_decoders(). The order matters, and the first decoder for a given decoder is preferred over the other decoders. E.g. all ad_mpg123 decoders are preferred over ad_lavc, because it comes first in the mpcodecs_ad_drivers array. Likewise, decoders within ad_lavc that are enumerated first by libavcodec (using av_codec_next()) are preferred. (This is actually critical to select h264 software decoding by default instead of vdpau. libavcodec and ffmpeg/avconv use the same method to select decoders by default, so we hope this is sane.) The codec names follow libavcodec's codec names as defined by AVCodecDescriptor.name (see libavcodec/codec_desc.c). Some decoders have names different from the canonical codec name. The AVCodecDescriptor API is relatively new, so we need a compatibility layer for older libavcodec versions for codec names that are referenced internally, and which are different from the decoder name. (Add a configure check for that, because checking versions is getting way too messy.) demux/codec_tags.c is generated from the former codecs.conf (minus "special" decoders like vdpau, and excluding the mappings that are the same as the mappings libavformat's exported RIFF tables). It contains all the mappings from FourCCs to codec name. This is needed for demux_mkv, demux_mpg, demux_avi and demux_asf. demux_lavf will set the codec as determined by libavformat, while the other demuxers have to do this on their own, using the mp_set_audio/video_codec_from_tag() functions. Note that the sh_audio/video->format members don't uniquely identify the codec anymore, and sh->codec takes over this role. Replace the --ac/--vc/--afm/--vfm with new --vd/--ad options, which provide cover the functionality of the removed switched. Note: there's no CODECS_FLAG_FLIP flag anymore. This means some obscure container/video combinations (e.g. the sample Film_200_zygo_pro.mov) are played flipped. ffplay/avplay doesn't handle this properly either, so we don't care and blame ffmeg/libav instead.
2013-02-09 15:15:19 +01:00
const char *format = mp_codec_from_av_codec_id(codecs[n]);
if (format && name && strcmp(format, name) == 0)
return true;
}
return false;
}
// codec is the libavcodec name of the source audio codec.
// pref is a ","-separated list of names, some of them which do not match with
// libavcodec names (like dts-hd).
struct mp_decoder_list *select_spdif_codec(const char *codec, const char *pref)
{
struct mp_decoder_list *list = talloc_zero(NULL, struct mp_decoder_list);
if (!find_codec(codec))
return list;
bool spdif_allowed = false, dts_hd_allowed = false;
bstr sel = bstr0(pref);
while (sel.len) {
bstr decoder;
bstr_split_tok(sel, ",", &decoder, &sel);
if (decoder.len) {
if (bstr_equals0(decoder, codec))
spdif_allowed = true;
if (bstr_equals0(decoder, "dts-hd") && strcmp(codec, "dts") == 0)
spdif_allowed = dts_hd_allowed = true;
core: redo how codecs are mapped, remove codecs.conf Use codec names instead of FourCCs to identify codecs. Rewrite how codecs are selected and initialized. Now each decoder exports a list of decoders (and the codec it supports) via add_decoders(). The order matters, and the first decoder for a given decoder is preferred over the other decoders. E.g. all ad_mpg123 decoders are preferred over ad_lavc, because it comes first in the mpcodecs_ad_drivers array. Likewise, decoders within ad_lavc that are enumerated first by libavcodec (using av_codec_next()) are preferred. (This is actually critical to select h264 software decoding by default instead of vdpau. libavcodec and ffmpeg/avconv use the same method to select decoders by default, so we hope this is sane.) The codec names follow libavcodec's codec names as defined by AVCodecDescriptor.name (see libavcodec/codec_desc.c). Some decoders have names different from the canonical codec name. The AVCodecDescriptor API is relatively new, so we need a compatibility layer for older libavcodec versions for codec names that are referenced internally, and which are different from the decoder name. (Add a configure check for that, because checking versions is getting way too messy.) demux/codec_tags.c is generated from the former codecs.conf (minus "special" decoders like vdpau, and excluding the mappings that are the same as the mappings libavformat's exported RIFF tables). It contains all the mappings from FourCCs to codec name. This is needed for demux_mkv, demux_mpg, demux_avi and demux_asf. demux_lavf will set the codec as determined by libavformat, while the other demuxers have to do this on their own, using the mp_set_audio/video_codec_from_tag() functions. Note that the sh_audio/video->format members don't uniquely identify the codec anymore, and sh->codec takes over this role. Replace the --ac/--vc/--afm/--vfm with new --vd/--ad options, which provide cover the functionality of the removed switched. Note: there's no CODECS_FLAG_FLIP flag anymore. This means some obscure container/video combinations (e.g. the sample Film_200_zygo_pro.mov) are played flipped. ffplay/avplay doesn't handle this properly either, so we don't care and blame ffmeg/libav instead.
2013-02-09 15:15:19 +01:00
}
}
if (!spdif_allowed)
return list;
const char *suffix_name = dts_hd_allowed ? "dts_hd" : codec;
char name[80];
snprintf(name, sizeof(name), "spdif_%s", suffix_name);
mp_add_decoder(list, "spdif", codec, name,
"libavformat/spdifenc audio pass-through decoder");
return list;
core: redo how codecs are mapped, remove codecs.conf Use codec names instead of FourCCs to identify codecs. Rewrite how codecs are selected and initialized. Now each decoder exports a list of decoders (and the codec it supports) via add_decoders(). The order matters, and the first decoder for a given decoder is preferred over the other decoders. E.g. all ad_mpg123 decoders are preferred over ad_lavc, because it comes first in the mpcodecs_ad_drivers array. Likewise, decoders within ad_lavc that are enumerated first by libavcodec (using av_codec_next()) are preferred. (This is actually critical to select h264 software decoding by default instead of vdpau. libavcodec and ffmpeg/avconv use the same method to select decoders by default, so we hope this is sane.) The codec names follow libavcodec's codec names as defined by AVCodecDescriptor.name (see libavcodec/codec_desc.c). Some decoders have names different from the canonical codec name. The AVCodecDescriptor API is relatively new, so we need a compatibility layer for older libavcodec versions for codec names that are referenced internally, and which are different from the decoder name. (Add a configure check for that, because checking versions is getting way too messy.) demux/codec_tags.c is generated from the former codecs.conf (minus "special" decoders like vdpau, and excluding the mappings that are the same as the mappings libavformat's exported RIFF tables). It contains all the mappings from FourCCs to codec name. This is needed for demux_mkv, demux_mpg, demux_avi and demux_asf. demux_lavf will set the codec as determined by libavformat, while the other demuxers have to do this on their own, using the mp_set_audio/video_codec_from_tag() functions. Note that the sh_audio/video->format members don't uniquely identify the codec anymore, and sh->codec takes over this role. Replace the --ac/--vc/--afm/--vfm with new --vd/--ad options, which provide cover the functionality of the removed switched. Note: there's no CODECS_FLAG_FLIP flag anymore. This means some obscure container/video combinations (e.g. the sample Film_200_zygo_pro.mov) are played flipped. ffplay/avplay doesn't handle this properly either, so we don't care and blame ffmeg/libav instead.
2013-02-09 15:15:19 +01:00
}
static const struct mp_filter_info ad_spdif_filter = {
.name = "ad_spdif",
.priv_size = sizeof(struct spdifContext),
.process = process,
.destroy = destroy,
};
static struct mp_decoder *create(struct mp_filter *parent,
struct mp_codec_params *codec,
const char *decoder)
{
struct mp_filter *da = mp_filter_create(parent, &ad_spdif_filter);
if (!da)
return NULL;
mp_filter_add_pin(da, MP_PIN_IN, "in");
mp_filter_add_pin(da, MP_PIN_OUT, "out");
da->log = mp_log_new(da, parent->log, NULL);
struct spdifContext *spdif_ctx = da->priv;
spdif_ctx->log = da->log;
spdif_ctx->pool = mp_aframe_pool_create(spdif_ctx);
spdif_ctx->public.f = da;
if (strcmp(decoder, "spdif_dts_hd") == 0)
spdif_ctx->use_dts_hd = true;
spdif_ctx->codec_id = mp_codec_to_av_codec_id(codec->codec);
if (spdif_ctx->codec_id == AV_CODEC_ID_NONE) {
talloc_free(da);
return NULL;
}
return &spdif_ctx->public;
}
const struct mp_decoder_fns ad_spdif = {
.create = create,
};